Art works for the Cystic Fibrosis Unit inboard Bedrooms and Isolation Bedrooms.
The original art works developed by Owen Thompson and Jamie Eastwood in coloration with the staff and users of the CFSS Unit.
Themes are "Connections:Aboriginal Seasons" by Jamie Eastwood and "Places we Love" by Owen Thompson.
The original artworks by Owen Thompson and Jamie Eastwood to be framed and hung on the wall of the unit.
Malcolm Cooke had the originals works scanned at high res and the digital files were then enlarged to fit the intended area. The work was then fabricated in floor to ceiling wall vinyls for the 12 Isolation bedrooms and the 28 inboard bedrooms.
Commissioned by Health and Arts Research Centre Inc (HARC) for the Westmead Hospital Redevelopment program.
By Jamie Eastwood
These works are for the isolation bedrooms in the CFSS unit Westmead Hospital
Jamies series of paintings is inspired the 6 seasons of the D'harawal Country and Language area. Reference INDIGENOUS WEATHER KNOWLEDGE for further reading at the BOM site.
April - June
Wet becoming cool
Quolls seek mate
Lilly Pilly ripens
By Jamie Eastwood. 2022
June - July
Cold and frosty
Burringoa flowering
Shellfish is not eaten
By Jamie Eastwood. 2022
July - August
Cold and windy
Lyerbirds builds mounds
Marrai’uo flowering
Gentle rains
By Jamie Eastwood. 2022
November - December
Warm and wet
Summer heat starts
Eels migrate to the ocean
By Jamie Eastwood. 2022
By Owen Thompson
These works are for the inpatient bedrooms in the Cystic Fibrosis Unit, Westmead Hospital. Owen works were inspired by the patients, staff and users of there favourite places
Original artwork ink and watercolour on paper 2019 Enlarged from original and digital printed on to wall vinyl
Antonia Aitken
The works are in various lounges and waiting rooms across 7 Levels of the new Westmead Hospital CSB Building
Commissioned by HARC for the Westmead Hospital Redevelopment Project
Mural, BMU Courtyard
By Annette Barlow
Commissioned by HARC for the Westmead Hospital Redevelopment Project
Reverse Print Acrylic
Martha Jabour
"Letting go was raised time and again and with it a range of images from nature that brought comfort. The need for nature, natural light and air release of energy physically and emotionally was high."
The arts lab has provided an opportunity for me to be witness first-hand the needs of both staff and client of the hospital and in particular the Intensive Care Services. The workshops and conversations were also scheduled in tandem with unit-based Counsellor and Psychotherapist Natalie Harman In an environment that is saturated with stress and trauma the remarkable staff visioned and discussed the various ways their patients, clients and selves release stress and worked to remain calm and mindful.
Letting go was raised time and again and with it a range of images from nature that brought comfort. The need for nature, natural light and air release of energy physically and emotionally was high. The artmaking conversations and gentle mindfulness sessions we ran highlighted how simple the actions for release can be and yet simultaneously challenging for the superhuman effort required to pause and be mentally still in such an environment. The value of the residency was to meet and build working relationships inspiration and research with professionals in the hospital.
The new works were researched and developed as party of the arts lab residency. This involved focus group and a series of meetings discussions meditations and art making. These initial works were developed initially for the families of those in intensive care. The images and themes were further developed with the input of the staff. In late 2019 in tandem with staff counsellor I set up a workspace in the ICU to discuss and research the realties for patients, their families and staff.
The works seek to create both warmth and comfort in Hospital spaces and a visual reminder of the connection to culture, family and community. The consultative aspect of the design process served to embed cultural motifs and shared values that can travel across cultural groups. The circular designs reflect the idea that life is never ending, and everything is connected The form also relates to the vessel, bowl or plate a form that serves us from the domestic to the highly ritualised events in our world. The portal forms emerge from the Mandala - Sanskrit for sacred circle evoking meditative and healing energies a symbol of the underlying connectedness of nature and a focal point for calm.
Matt Poll
Concrete 2020
The Tools of Knowledge represent the sustainable occupation of the greater Sydney region for more than thirty thousand years. The polished part of a ground edge axe can take days to make, it can also be used for many lifetimes. These sculptures depict Aboriginal knowledges, the use the land itself to remake the world.
Commissioned by HARC for the Westmead Hospital Redevelopment Project
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